Category: Portfolio

  • MOTI: Planet Hype

    MOTI: Planet Hype

    3 October 2015 – 13 March 2016

    The Ice Bucket Challenge, Je suis Charlie, the Harlem Shake, #BringBackOurGirls, the Selfie Olympics and Kony 2012: hypes have a hold on our lives and the media. Whether big or small, they appear out of the blue and connect us, people, in a confusing world where we can hardly filter world news, where social media turn us into activists and advertising agencies use hypes as tools in the battle for supermarket dominance.

    The exhibition Planet Hype presents a contemporary phenomenon: the hype. In a world that increasingly revolves around media, sharing images, spreading news and browsing the internet for the next scoop, hypes can suddenly emerge. Hypes are capable of instantly dominating the world’s attention. We peer along on our smartphones, from our YouTube account we all upload the same clips, and on social media we all suddenly share the same interest. Sometimes hypes are a smart marketing stunt, sometimes a random phenomenon that takes over Facebook and Twitter, and sometimes just a casual distraction for the common folk.

    But what exactly is a hype? And how important are hypes for our lives, public opinion, new activism or simply our online entertainment? One hundred hypes will be presented in Planet Hype. Also, new and existing contemporary art works will reflect on hypes and how we respond to them, with contributions by among others: Aziz Bekkaoui, Constant Dullaart, Ruiter Janssen, Bahram Sadeghi, Frank Schallmaier, Stefan Schäfer, Teyosh, Emily West & Selby Gildemacher, Benedikt Wöppel, and Dikla Zeidler.

  • UNI: Hipster Flipster

    UNI: Hipster Flipster

    It’s friday night, weekend has just begun and you and your friends are looking for a nice bar, club or restaurant to drink some beers. But where to go to? Just download the HipsterFlipster app on your cellphone, and your wanderings for new places are history!

    Part of a MA New Media and Digital Cultures assigment.

    HIPSTERFLIPSTER, YOUR PARTNER-IN-CRIME TO DISCOVER NEW PLACES

    HipsterFlipster, easily and for free downloadable via the App store or Google Play store, is founded by six students in order to display an overview of the current restaurants, bars and clubs in Amsterdam East. Amsterdam East can be considered as an upcoming neighbourhood in regard to this sector and to prevent an overload of venues, the list of venues in the HipsterFlipster app is limited to this area.

    By opening the application the default interface appears: a scrollable, horizontal Hipster (left-side) and Flipster (right-side) bar wherein the venues are equally distributed. By this, the user can sort out a venue of choice, supported by address and a photo of the venue. The order of appearance of venues in the app is not fixed but subject to the amount of check-ins. The left, Hipster-side contains less visited places; the right, Flipster-side contains more visited places. When users are nearby the venue, a pop-up message will ask them to check-in based on GPS location, in order to maintain the continuously changing order of the HipsterFlipster bar. Hence, the bar contains a continuously dynamic of venues to scroll through, and thereby discover, new places. And besides that, the exact amount of check-ins is not visible to the user, as well as who checked-in where so the usage of the app will stay anonymous.

    CONTEXT – WHY THE CONCEPT OF HIPSTERFLIPSTER APP IS NEEDED

    Nowadays, online search engines strongly determine what content becomes visible and available to users and are therefore often designated as dominant instruments in the production of knowledge (Vaidhyanathan 2006; Dijck van 2010; Rogers 2009). Google’s PageRank for instance ranks websites based on the amount of visits and links in order to benchmark relevance listed in their top-down list of results. Consequently, this effectuates what has been called a ‘rich-get-richer’ or ‘winner-takes all’ ecology where much-cited sources gain prominence at the expense of sources that are connected to less often (Barabasi 2002; Halavais 2008). In regard to HipsterFlipster, venues like Bar Bukowski or Walter’s are the big winners and overshadow other venues who were not, or much less visible in the result list. Thereby PageRank can be stated as a dominant knowledge instrument. How will users find out about those other venues besides word to mouth advertising? The top-down structure of PageRank is replaced by a horizontal bar which offers the complete list of venues. The motive of the user will decide what side of the app will become their top. This doubles the PageRank concept, because both Hipster and Flipster have their top instead of one dominant top. Also, users can add suggestions via the app, which will be curated by the founders. The criteria for these suggestions is a beer tap and its location: Amsterdam East.

    HIPSTER VERSUS FLIPSTER

    Fundamental for our specific design is the much debated, difficult definable subculture of the Hipster which is generally understood as those who reject anything mainstream or trendy, but is distinguished by Youngworks as the Hipster, in search for ‘uniqueness’ and less visited places, and the Flipster, perfectly fine with being ‘ordinary’ and visits more visited places (Plevin 2008; Mathon 2012; Lanham 2008). By this, the Hipster-side of the bar will be less visited: the Hipsters won’t take chances to visit a Flipster place by picking the wrong, Flipster, side of the bar or won’t even check in to keep the place Hipster and unique, which results in a leftish position of the bar. The Flipster, more ordinary, will choose Flipster-places or by checking-in initiate a shift towards the Flipster-side. Also, the amount of check-ins will be listed for thirty days in order to maintain accuracy of the HipsterFlipster formula/concept. Subsequently, based on this definitions of the Hipster and Flipster, a continuously dynamic of venues will evolve.

    REFLECTION

    Due to a short-time schedule, HipsterFlipster hasn’t been realised but is still a concept. Nevertheless, programming such an application seems doable since other platforms like Facebook already includes check-ins via pop-up messaging, just as including a venue list, a suggesting feature for venues and an algorithm that sums all check-ins and translate them into a horizontal, dynamic bar. Also, the incentive to check-in is present but not a big reward when you keep in mind that users see all venues anyway. Users really have to feel the urge to find new bars, or are interested in the game aspect behind the app and therefore maintain to check-in.

    The application is a hypothetical experiment. It is an alternative way to approach ranking. What is problematic is to check if users are using the app according to the definition. The biggest problem of the application is that it is based on user input, but we cannot define user input up front. Thus defining the application from a pure hypothetical view wherein the world is only inhabited by either Hipsters or Flipsters, the users should get a sense of subjectivity from a perspective wherein they approach the application: the perspective is either Hipster, with the top on the left, or Flipster, with the top on the right. Using the theory of Hipsters and Flipsters can be seen as a tool to approach the issue. As a result, the ‘rich gets richer’ effect is critiqued by the interface and workings of the application.

    At the same time, back-end data can be used by administrators to analyse Hipster or Flipster movement. Though not fully discussed in this blogpost, we acknowledge the possibilities for analyzing (and maybe selling or manipulating) back-end data. The subject is too broad, just as the subject of user-agency as proposed by authors such as Poell and van Dijck (2013). For now, HipsterFlipster is just a hypothetical application rejecting the current PageRank paradigm.

  • FILM: PAAR

    FILM: PAAR

    Een kinderkortfilm gemaakt door studenten van Narafi.

    Hoever pas jij je aan?

    Cast:
    Valerie: Aiko Vanparys
    Erik: Yarno Lemmelijn

    Crew:
    Regie, script en art direction: Rik van Eijk
    Camera & beeldregie: Liselotte van der Sande
    AD: Naomi Zwaenepoel
    AC: Joey Overmars
    Geluid: Seppe Supply
    Licht: Daan Leseman

  • CJP: Er gebeuren dingen in de zomer…

    CJP: Er gebeuren dingen in de zomer…

    CJP is de culturele jongerenorganisatie van Nederland. De organisatie staat vooral bekend onder jongeren als ‘die pas voor bioscoop-korting’. Lisa Mosmans en ik ontwikkelde een creatief concept om jongeren bewust te maken dat er in de zomer ook met korting van cultuur genoten kan worden.

    Het concept baseert zich op de associaties die gemaakt worden bij het horen van woorden. Aan de hand van vier woorden wordt het gevoel overgebracht wat het festival of event te bieden heeft, gevolgd door een bewustwording dat er ‘dingen gebeuren in de zomer’. Het concept is door CJP zelf doorvertaald naar een campagne, dat in de zomer van 2017 on- en offline is gelanceerd.

  • FILM: Persoonlijk profiel

    FILM: Persoonlijk profiel

    Een opdracht van Narafi: conceptualiseer jezelf aan de hand van andermans beelden.

    Muziek:
    Gestaffelstein – Pursuit

    Beelden o.a.:
    Maximilien Van Aertryck and Axel Danielson- Ten Meter Tower
    The Shoes – Time to Dance
    The Blaze – Territory
    DJ Shadow ft. Run the Jewels – Nobody Speak
    Gestaffelstein – Pursuit
    Nineteen Eighty-Four (Michael Radford, 1984)
    Volvo Commercial with Zlatan Ibrahimovich

  • EVENT: Puppy party

    EVENT: Puppy party

    In de eerste week bij Decos werd mij verteld dat in mijn tweede week van Decos een evenement zou plaats vinden. Het management was naar Las Vegas gevlogen om daar omringt door Alpaca’s, goede lunches en serenade’s, de Power to Wow bedrijfscultuur op te zetten. Uitgangspunten: medewerkers moesten wat meer ‘liefde’ voor de klant uiten. De voor de grap geopteerde ‘laten we puppies regelen en medewerkers verassen’ werd door het gehele management omarmd en uitgevoerd. Het resultaat: ieder ander evenement sinds is een lichtelijke teleurstelling voor mijn collega’s.

    Van begin tot eind uitgevoerd: bedacht, geregeld, gefotografeerd en de foto’s opgehangen. Ze hangen nog steeds.

  • FILM: Wij zijn Decos

    FILM: Wij zijn Decos

    Wij gaan aan de slag, samen met jou…

    Korte video die ik maakte voor het introduceren van Decos. Nadruk van de tekst ligt op het samenwerken, iets wat langzaamaan in de nieuwe brand positionering naar voren moet komen.

  • CONCEPT: Corona Oogtest

    CONCEPT: Corona Oogtest

    Lockdown, quarantaine, solitude: Covid-19 pakt ons. Ook ik: opdrachten on hold, inkomen gestopt, freelancebetwijfelend en tijd te veel.

    Maar met tijd borrelt de creativiteit. Daarom presenteer ik: de Corona Oogtest.